Saturday, October 23, 2021
Happy Book Anniversary to me!
Sunday, May 23, 2021
It's finally HERE!!! Re-Release of the Maddie Hatter Adventures!
As of Sunday May 23, 2021 you can pre-order
AND
In ebook (paperback coming soon)
Deadly Diamond: Book 1 in the Maddie Hatter Adventures
Gilded Gauge: Book 2 in the Maddie Hatter Adventures
DEADLY DIAMOND:
It’s 1899 and Miss Maddie Hatter, renegade daughter of a
powerful Steamlord, is scraping a precarious living as a fashion reporter when
the story of a lifetime falls into her lace-gloved hands. Baron Bodmin, an
adventurer with more failed quests than fan mail, has vanished on the trail of a
legendary diamond mask. Then the baron’s mistress flees too, with a handbag
full of stolen jewelry and Maddie’s most secret papers. To retrieve them she
must catch the first airship out of Egypt, risking recognition at every stage of
her continent-hopping quest for the baron’s story and the sheer satisfaction of
exposing that conniving con-woman!
“A jewel of a story filled with delightful surprises”
“Like a delightfully vintage game of Clue… Our Heroine is smart, stylish, and determined.
“Filled with intriguing gadgets, fantastical aircraft, exotic locations, interesting characters and even parasol dueling!”
GILDED GAUGE:
A mysterious message from a midnight duelist sends fashion reporter
Maddie Hatter to New York's finest parasol dueling academy, where she
foils a daring daylight kidnapping & ends up undercover in a Gilded
Age mansion. Soon she’s up to her lace gloves in social teas, industrial
intrigues, and irrepressible street urchins, while Tweetle-D tackles a
clockwork foe with jewel-green eyes. When they come face to beard with a
powerful figure from Maddie’s own past, everything she struggled to
earn is in jeopardy.
“Spirited heroines, secret identities, engaging orphans, dueling parasols and gadgets galore!”
“another well-crafted, fast-paced mystery laden with intrigue; a romp through steampunk New York”
“this world of steam-driven machinery, inventions, airships, clockwork-type animated birds seems as real as our own”
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Friday, April 2, 2021
Cover Reveal Coming Soon!
It's almost here!
The new cover for The Maddie Hatter Adventures: Deadly Diamond
No more cute cartoons.
Maddie's getting a makeover more appropriate to
her age and career aspirations.
Watch this space for your sneak peek!
Tuesday, March 30, 2021
Maddie Cake, Maddie Cake....
collected a 2nd place in the 2018 Calgary Stampede .
It stands approximately 24" high and rests on a base 16x16"
Utterly incredible detailing right down to textures on the 'fabric'.
Fabric detail over hips
Ribbon side bustle
Closeup of hat decorations
Closeup of bird and glove detail.
Bird's wing detail
Wonderful work by Kelli Elkadri of Calgary, who is at the start of what is sure to be a tremendously successful home-based business making cakes and cupcakes for birthday parties, weddings, engagements, graduations, and pretty much any other occasion for which cake seems like a good idea.
Feast your eyes on the photo album on her Facebook page and dare to dream BIG for your next cake!
Friday, March 26, 2021
Homage to Peacocks
That's right: Lady Sarah Peacock - or whatever her real name is!
Well, Peacock by name (if the marriage was legal) and peacock by nature. Sarah may be using another name in Venice but she's keeping her signature style with a fabulous peacock blue beaded walking dress and what might be Europe's largest collection of peacock feathers on a single hat.
Lady Sarah's inimitable style was fully in fashion in the real world as well as in Maddie's world.
"The peacock feather, previously thought to be a symbol of bad luck, became an icon of the Aesthetic style. Its use as a motif confirmed Aestheticism's reputation for decadence."
http://www.vam.ac.uk/content/articles/s/style-guide-aestheticism/
I'll leave you to discover exactly where in the book that beaded suit and fabulous hat appear.
For now, enjoy this photographic tour of peacock imagery from fin-de-siecle Europe and America. Check out links where they appear, to take you to more information on the origins of the pieces and the photos.
The earliest of our collection shows that peacocks were already popular well before Maddie and Sarah began their lives, let alone their adventures.
Gemstone Brooch by Gustave Baugrand, 1865
A peacock feather brooch set with sapphires, diamonds and emeralds. French, circa 1883. By Boucheron. Believed to have been made for the Grand Duke Alexis of Russia.
Enameled gold accented with carnelian cabochon. ca. 1900
The turn of the century is where peacocks really hit their stride in jewelry.
Peacock Maiden Ring
Gold, with a central opal and emerald/diamond feathers.
By an unknown French artisan c.1900
The maiden and peacock....
Phillippe Wolfers was a Belgian working in the French Art Nouveau style. This pendant brooch of gold, tourmalines, diamonds and enamel was made around 1900-1902.
See more exquisite Wolfers pieces here
Lovely by Lalique:
Right: Gold and Enamel “Two Peacocks” Pendant, circa 1897-1898
Below: Art Nouveau 'Peacock' Brooch/ Pendant: gold, enamel
I'm thinking of a new signature piece for Lady Sarah Peacock on her next reappearance in the Maddie Hatter adventures.
As you'll find out, she's already re-purposed the Egyptian Collar necklace she acquired from Baron Bodmin in MADDIE HATTER AND THE DEADLY DIAMOND.
So why not give her some fabulous Art Nouveau jewels that help to distance her from the scandalous Egyptian episode?
Last on our list of jewels is the Peacock Egg from Faberge (even Lady Sarah surely can't aspire to a Russian Imperial Egg....?).
This one was made by Dorofeiev under the supervision of the Russian jeweler Peter Carl Fabergé in 1908, for Nicholas II of Russia, who presented the egg to his mother, the Dowager Empress Maria Feodorovna.
And now to interiors:
In America
JOHN LA FARGE
American, 1835-1910
Peacock Window, 1892-1908
"At the time when America was emerging as a force in the international art world, La Farge stood out as a versatile artist and designer working in a variety of media.
The Peacock Window, which simulates the vibrant coloration of a magnificent, exotic bird, represents La Farge's final effort in fused, or cloisonné, glass.
Begun in 1892 as one of a pair of windows for the Washington, D.C., home of John Hay, the piece was not presented to the client, apparently because of difficulties encountered in the successive firings required to fuse layers of glass.
Instead La Farge provided Hay with a window of the same design made of more conventional leaded opalescent glass (now at Museum Stuck-Villa in Munich). Several years later the artist returned to his original concept to produce this window."
http://www.worcesterart.org/collection/American/1909.11.html
In France:
The amazing peacock room designed by Art Nouveau genius Alphonse Mucha for the Boutique Fouquet in 1900.
In Germany:
Inside the Moorish Kiosk you'll find the Peacock Throne, a fantasy divan made of red silk and flanked by three painted peacocks with 1,400 gems in their plumage. "Mad King Ludwig" really loved his bling!
I visited Linderhof on a school tour many years ago, and have dreamed many wonderful stories set in those delicate, beautiful halls and kiosks. Shall I write one for you some day? Perhaps I already have, without realizing from whence inspiration sprang.
The Queen Kapiolani Peacock gown (below).
This one is a reproduction from the Ali'i Gown Reproduction project. Queen Kapiolani of Hawaii wore the original to the Golden Jubilee celebrations for Queen Victoria in 1887.
Note the rows of peacock-eye feathers around the train? That's what inspired the beadwork on the hem of Lady Sarah's Venetian walking dress. How I wish such fabulous gowns were practical for modern working women!
This gown is a Worth original, made for Mary Curzon, Baroness Curzon of Kedleston. She first wore it in 1903, at the celebration in India for the coronation of King Edward VII.
"The gown was assembled from panels of chiffon that had been embroidered and embellished by Delhi and Agra craftsmen using the zardozi (gold wire weaving) method. It was then shipped to Paris, where the House of Worth styled the dress with a long train edged with white chiffon roses. The worked panels were overlapping peacock feathers that had a blue/green beetle wing at the center. Over time, the metal thread in the dress has tarnished but the beetle wings have not lost their luster."
But imagine how glorious its glitter on that first momentous appearance!
At the latter end of the peacock obsession was this magnificent silk, silk satin and lace peacock gown, made by Maison Weeks, Paris, circa 1910.
You would not want to trail this one through the mud and dust of Venice's campi and calli (squares and streets) which is why Lady Sarah wore her beaded peacock walking dress - a style that doesn't usually have a train but swings along just clear of the ground (or, more scandalously, as high as the ankles) - in TIMELY TAFFETA.
And what IS that daring young woman up to in Venice anyway? Is she using Maddie's real name again? Will her antics come to Father's ears? Will her extravagant bills be blamed on Maddie a second time?
Find out more in MADDIE HATTER AND THE TIMELY TAFFETA, newly out from Tyche Books and available at fine bookstores or online in all the usual formats.
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