Showing posts with label Alberta Book Publishing Awards. Show all posts
Showing posts with label Alberta Book Publishing Awards. Show all posts

Saturday, September 15, 2018

Laksa Media Group takes home the BPA Award for Speculative Fiction


My guest this weekend is Lucas K. Law of Laksa Media Group, producers of excellent and extremely relevant anthologies, the third of which, Where the Stars Rise, has just won the 2018 Alberta Book Publishing Award for Speculative Fiction.  Congratulations to Lucas, S.M. Beiko, and Tim Feist as well as all the contributing authors!

Now, to the questions I asked Lucas last week. You'll soon realize, as I did, that this is no ordinary publisher, and no ordinary vision for Speculative Fiction. 


Jayne: Laksa Media has the most comprehensive Mission Statement I’ve ever seen from a publisher, starting with “To listen, understand, learn, and connect: and finishing with, “to make a difference in social good.” Tell me what inspired it. And does one part or another mean something extra-special to you personally?


LUCAS: I would term those statements as "guiding principles" for Laksa Media. It is our "True North" compass, our directional guide to keep us grounded, to get us back to our core values if we are led astray by "new and shiny things" or when we are in “own bubbles” too long.

Before setting up Laksa Media, I kept asking myself numerous whys. Why do you want to be a publisher?  Why not continue on as an editor, which you have been doing for years? Why do you want to take on the extra work? Why is it so important to have Laksa Media now? Why do you need to curate more books when there are already so many in the world?

The answers point to a need to finding projects that share social issues that are dear to my heart, together with a charitable component to make it a holistic experience.

The people in my life—grandparents, parents, partner, relatives, friends, and work colleagues—have or had taught me the lessons of sharing, gratitude, humanity, and humility through their words and actions many times over.

I incorporate a number of those lessons into the guiding principles and tag lines for Laksa Media. We have three taglines we use at different times: “Read for a Cause, Write for a Cause, Help a Cause”, “Help Us Change the World, One Book at a Time”, and “Using Social Media for Social Good”.


Jayne: How did you end up working with S.M. Beiko and Tim Feist?

LUCAS:  I spent several months going through the book covers and interior book layout of numerous mid-sized and small publishers. And I kept circling back to ChiZine's books, and the trail led me to S.M. Beiko. One email after another and here we are—we are so lucky to have Samantha to brainstorm ideas with and guide us through the publishing landscape.

Tim is an easy find—I looked across the dinner table and said something along the line that I needed help and without hesitation, he suggested the name "Laksa." He has over 35 years of experience in media, communications, and editorial services, so that helps to steer me in the right direction.


Jayne: Laksa Media’s first anthology came out – out of the blue – only two years ago, yet already you’re making waves across the Speculative Fiction landscape, with a presence at many major conventions internationally and a stack of awards and nominations coming your way. How did this upstart media company come so far, so fast?


LUCAS:  I'm afraid that I don't have an overnight success story to share here. That would have been more interesting. Laksa Media was incorporated in 2012 but did not publish its first title, Strangers Among Us: Tales of the Underdogs and Outcasts, until four years later. I wish I know the secret ingredients for each book. We can only do our best. But, if there is one secret, it is the kindness and generosity of the people who have touched Laksa Media and me in the past six years. Along the journey, authors, other publishers, editors, colleagues from other publishing houses, media professionals, and even strangers contribute their time, share their stories, and offer to assist (and often go out their way to help without me knowing it); they continue to provide their words of wisdom and encouragement. I am grateful and thankful every day for the opportunity to know these people and work with some of them in our projects.

Another secret probably lies in the old-fashioned values handed down by my parents and grandparents: work hard, do things the right way, stay real, and treat people with respect, and treat them the way you want to be treated by them.  

I have to be careful in defining the term "success." Success to me is when Laksa Media follows its guiding principles and the people in each project feel proud by their involvement and association with us. The rest is bonus, a beautiful gift to remind us to do our best and stay in the moment. However, I have to mention that I am so excited for our authors, Samantha, and my co-editors; they deserve all the accolades that come their way because they have put so much of themselves in our projects. The true recipe to Laksa Media’s success is them.


Jayne: I started counting this myself but got dazzled by the glow of the Sunburst Award. Tell me how many awards Laksa Media and its various anthologies have been nominated for, and won, so far in 2018.


LUCAS:  Listing the information feels like bragging, but if I don't do it, then it is not fair for those who have been involved with our three titles: Strangers Among Us: Tales of the Underdogs and Outcasts, The Sum of Us: Tales of the Bonded and Bound and Where the Stars Rise: Asian Science Fiction and Fantasy. They made Laksa Media and I look good. So, here are the stats:

 
For the anthologies—[Lucas got back to me this morning to update this bit officially in light of the win last night.] 
 
For the anthologies—two award nominations, two award finalists, THREE award winners.
For the short stories—seven award nominations (shortlisted), two award nominations (longlisted), one award winner, four award finalists, four selected for the year's best anthologies, nine listed in recommended annual reading list, twenty honorable mentions in the year's best anthologies

Jayne: *several moments of speechless admiration*


Jayne: One of the more popular panels at When Words Collide in Calgary this past August was on Writing to a Theme. What one concept would you most like people to take away from all that complexity of discussion?


LUCAS:  Theme is the relevance of your story to life: how does it relate to reality as seen through your characters and experienced through your storyline. We don't have to be authors or life coaches to tell a story with a theme. We are all artists—we have the abilities within us—be it writing, cooking, painting, photographing, journaling, gardening, etc. We often get into a situation of second-guessing ourselves—that we are not good enough, or we don't have the right tools and skill sets, or no one is interested—and we make it more complicated than it should be, and then we end up in a state of paralysis and not moving forward. So, when the time is right for you, be not afraid to share your story in whatever medium you are comfortable with.  

Jayne: Your next anthology, Shades Within Us: Tales of Migrations and Fractured Borders, came out September 8, 2018. The theme is most timely given the outflow of refugees from Syria – both across/around the Mediterranean and via direct flight to safe countries where a refugee claim can be made on the ground – and the increasingly hostile anti-immigration rhetoric in both Canada and the USA. Did you have those issues in mind when you first decided on this theme? Did you get the type of stories you expected from your submission call? What do you hope readers take from the experience of these stories?

LUCAS:  I didn't have those issues in mind when this theme was conceived five years ago, along with the other anthology themes. It was part of the five year-plan for Laksa Media. Who knew back then, in 2013, it would be such a global issue now? Each of our anthologies comes from within—a part of who we are—the best and the worst in us and everything-in-between.

The concept for Shades Within Us came from my own upbringing and family history in migrations. I wanted to explore the human spirit that comes from individual and societal displacement—physical, psychological, spiritual—by choice or by force, for good or ill, for better or worse, to leave behind all that is familiar and to face the unknown.

The invited authors surprised Susan and me with their diverse voice and style, their varieties of approaches—literally or metaphorically—to the theme of migrations and fractured borders. They use science fiction, fantasy, and horror, sometimes cross-genres, sometimes genres that don't even have category fitting, to examine the power of culture, politics, religion, health, economics, exploration, magic, war, or death, a myriad of reasons to drive the individuals to cope with displacement and change.

We want the readers to know that these are not stories of despair, anger, and revenge; these are stories of facing those adversities and challenges with equal determination, resiliency, and humility. We move or relocate for many reasons: economic challenges, employment, new opportunities, failing health, and much more. The human spirit will triumph in the end. And, in addition, "migration" should not be a negative connotation or associated with just refugees and illegal immigrants.  It is who we are and what we become when we relocate.

I think Kend M., a librarian, said it best about Shades Within Us in her Goodreads review: "Intersectionality may not be the primary guiding principle of this anthology, but it is present in nearly every story contained herein; importantly for me, this awareness extends to the LGBTQIA+ community as well as communities traditionally othered for reasons of skin color, country of origin, gender, religion, and neuro-divergence. The stories are not always winsome or whimsical; they delve into the dark and the twisted as often as they do into the empowering and uplifting. Agency is always at stake, and self-awareness lurking just below. This anthology splits the difference between rambunctious new collections like Robots vs. Fairies and serious commentaries on the immigrant experience, such as Becoming Americans: Four Centuries of Immigrant Writing.”

For those who are interested in reading a sample, find excerpts from Shades Within Us at Tor.com. For Susan and my thoughts on migrations, read our Big Idea blog on John Scalzi’s Whatever website.

Jayne: I see you’re closed to non-fiction submissions for the next couple of years. Do you care to tell us what you’ve got in that particular publishing stream at present?


LUCAS:  Publishing non-fiction is always part of our long-term plan. Even though we have several non-fiction concepts in the pipeline, we probably wouldn't release our first title until 2022. We are considering a series of anthologies consisting of essays on social, cultural and identity intersections. We haven't nailed down the concept completely so I can't share any detail at this time.

Its publication date continues to be shifted because Laksa Media is working hard on an epic fantasy adventure series of seven books—a multi-generational family saga of betrayal, deception, survival, revenge, love, and redemption caused by a chain of addictions and discriminations.

The first title is scheduled for a late summer release next year. It is not only a tale of rollicking adventure but an opportunity for the author and Laksa Media to examine the complex world of addictions, knowing that there is no family today that has not been touched by the heartache, stigma, struggles—and the often-unrecognized courage and hope—that underpin the illness of addiction. We are currently evaluating several non-profit organizations that we want to work with. More information to come soon.

And thank you for the opportunity to discuss my thoughts with you. 


Jayne:  And thank you, Lucas, for sharing your guiding principles and so much more with us. As always when speaking with you, I am left thinking of more and yet more follow-up questions. As I too love tales of rollicking adventure that address real social and personal issues along the way, perhaps you'll come back next year, when this first novel of the epic saga is released, and tell me about that.

Links



Friday, September 14, 2018

Moments you never dreamed of...


Alberta Children & Young Adult 


Congratulations to all the nominees and winners!

A full list is available at the 

The thrilling moment of the announcement:

Photo thanks to Kristin Morrell, who sent it to me right after the announcement











Tuesday, July 31, 2018

Award Season is upon us!

Some news from Award Season!

First there's this:


Maddie is back on the BPAA Shortlist for her New York City Adventure! You'll find in Gilded Gauge oodles of parasol dueling, spies, intrigue, bumbling detectives, and of course Tweetle-D up to his usual antics while dodging the big-city predatory birds who want to find out if he's edible.

(For more on the Books Publishing in Alberta Awards, check out their online home)

 And then there's THIS! A second nomination for the Prix Aurora!


Claps for fellow writers Gerald Brandt, Julie Czerneda, Fonda Lee, and Elizabeth Whitton, most of whom I know from that lively summer lit-fest, When Words Collide, held each August in Calgary (and usually sold out by June).

(It's not too late to join the CSFFA and vote for your favourite authors and artists in all categories. For the full shortlist go to https://prixaurorawards.ca/home/nominee-list-page/ )

Saturday, October 15, 2016

The Man With the Boy in his Pen

My guest today is a hard-working, hard-writing educator and author of numerous novels for children and teens. He's also got a line of craft books for writers. Welcome, Simon Rose. 

How long have you been at this writing game? How long professionally? 

I always had lots of ideas for stories but never thought about creating my own novels until I became a parent. Around that time the Harry Potter books appeared, as well as The Golden Compass and its sequels, and these books inspired me to create stories about the topics that interested me. The first novel was The Alchemist’s Portrait, which was published in 2003, followed by other novels and books on a regular basis ever since.


You’ve written fiction and non-fiction, history and fantasy, novels and short stories. Got a passion for any form over the others? Why/not?
I’m mostly drawn to science fiction and fantasy, but will most likely always return to historical fiction on occasion or incorporate history into the novels. I have no shortage of ideas in these genres and will hopefully see all of them turned into stories at some point. I’ll probably create some more guides for writers too and have a number of stories for young readers, including picture books, that I hope to publish one day.


Series or Stand-alones?


Until recently all the novels have been stand-alones. Sometimes this
was due to a lack of interest from the publisher in further installments and at other times the story had simply run its course. With some of the novels I considered sequels but was then soon busy on the next project instead. The most recent novels have plenty of potential and these days I tend to plan for at least a trilogy. Flashback will be three books, Future Imperfect may have two sequels, and my recently completed parallel universe saga is a trilogy. The Sphere of Septimus will have at least two sequels but I suspect that may become a longer series, time permitting.

Do you work on one book at a time or multiples? Does the idea for the next book occur in the midst of the current work, or not until after The End?


If it’s a trilogy I try to work on all three books at once, obviously focusing on the first part but keeping in mind how the rest of the story will unfold. If I’ve completed one novel but feel there’s more to the story, I write the next installments at the same time. I’ve sometimes worked on two unrelated stories simultaneously but they’re usually in separate genres and at different stages of completion. 




You do many school visits in person and virtually. What do you find most interesting and challenging about those? What do you hope the students – and teachers - take away from your presentations?


Meeting your readers can be one of the most enjoyable elements of a school visit. Younger students especially are almost always thrilled to meet a published author, especially if they’ve read your books. School and library visits offer an invaluable opportunity to connect with readers on a personal level and in some cases you can make a real difference in children's lives, stimulating their imagination or simply getting them more interested in books and reading. For many of the students an author visit can be inspirational, boosting their creativity and encouraging them in their own writing.


Teachers like to have authors visit the school and share their experiences with the students. They always appreciate any valuable insight into the generation of ideas, the writing process, and the importance of editing and revision. Most of my books can be used as classroom resources and as the basis for workshops and creative writing exercises. Many of these are featured in my book Where Do Ideas Come From.


Awards; you’ve seen a few. Your books have been finalists for noteworthy awards in several provinces, starting with The Alchemist’s Portrait for the 2004 Golden Eagle Book Award and as recently as the 2016 Alberta Book Publishing Awards Book of the Year for Children and Young Adults. In addition, you’ve served on literary juries both provincially and nationally, including for the Governor General’s Award. Talk to me about what awards and shortlistings mean for an author. Is it all about the win or…?


It’s always nice to be nominated for or win an award. The impact this has varies depending on the type of prize or award. Some will make a significant difference in terms of sales, others not so much. The higher profile awards such as the Governor General’s Award obviously make a big difference for the winner, but those on the shortlist might also benefit from the increased visibility for their work.


All authors today have to conduct their own marketing and promotion and even a nomination for an award can be used to raise your profile on social media, generate interest in the nominated book or your other work, get you noticed by the local media, attract interest from organizations or individuals regarding workshops, presentations, or services that you provide for writers, and so on.


However, it’s always wonderful to have your work recognized, either by your peers, people in the publishing industry, teachers or librarians, and of course readers. Some of the awards, such as the Silver Birch Award and the Golden Eagle Award, are selected by school students. If you’re writing for children and young adults you know that you’re doing something right if your readers really liked the book.


Your latest book, Future Imperfect, came out earlier this year. What’s that book about?


Future Imperfect is an exciting adventure featuring technology, teenage geniuses, corporate espionage, and mysterious messages. Most kids these days are very familiar with laptops, tablets, and video games, and don’t go anywhere without their cell phones, so the technology and gadgets that feature in the story make the novel very appealing for young readers. It’s also a very compelling adventure story, with lots of cliffhangers, twists, and turns. 

In the novel we’re introduced to Andrew Mitchell, who was one of the leading experts in highly advanced technology in Silicon Valley, until he vanished following a car accident, which also injured his son, Alex. When a mysterious app later appears on Alex’s phone, he and his friend Stephanie embark on a terrifying journey involving secret technology, corporate espionage, kidnapping, and murder in a desperate bid to save the future from the sinister Veronica Castlewood.


What’s next for you?


My paranormal novel, Flashback, was published in 2015 and two sequels are coming out next year, one in the spring and the other in August. I also hope to start work on two sequels to Future Imperfect. The novel has proved quite popular so far so I want to explore the possibilities of further adventures for Alex, Stephanie, and the other characters that appear in the novel.


I completed a science fiction trilogy about a parallel universe earlier this year that will be published soon. I’ve had the concept for quite a while, but it’s one of those stories that continually improved as it was being written. I’m currently working on a historical fiction adventure set in seventeenth century England. I’m also considering at least two potential sequels to my fantasy novel, The Sphere of Septimus, which was published in 2014. In addition, I’m continuing to work with other writers in all genres, not just those writing for children and young adults, as an editor and writing coach.

You can visit Simon’s website at www.simon-rose.com or subscribe to his newsletter, which goes out once a month and has details of his current projects and upcoming events.


Social Media links


Friday, October 7, 2016

My guest today is a hard-working, hard-writing educator and author of numerous novels for children and teens. He's also got a line of craft books for writers. Welcome, Simon Rose. 

How long have you been at this writing game? How long professionally? 

I always had lots of ideas for stories but never thought about creating my own novels until I became a parent. Around that time the Harry Potter books appeared, as well as The Golden Compass and its sequels, and these books inspired me to create stories about the topics that interested me. The first novel was The Alchemist’s Portrait, which was published in 2003, followed by other novels and books on a regular basis ever since. 

You’ve written fiction and non-fiction, history and fantasy, novels and short stories. Got a passion for any form over the others? Why/not? 

I’m mostly drawn to science fiction and fantasy, but will most likely always return to historical fiction on occasion or incorporate history into the novels. I have no shortage of ideas in these genres and will hopefully see all of them turned into stories at some point. I’ll probably create some more guides for writers too and have a number of stories for young readers, including picture books, that I hope to publish one day. 

Series or Stand-alones? 

Until recently all the novels have been stand-alones. Sometimes this was due to a lack of interest from the publisher in further installments and at other times the story had simply run its course. With some of the novels I considered sequels but was then soon busy on the next project instead. The most recent novels have plenty of potential and these days I tend to plan for at least a trilogy. Flashback will be three books, Future Imperfect may have two sequels, and my recently completed parallel universe saga is a trilogy. The Sphere of Septimus will have at least two sequels but I suspect that may become a longer series, time permitting. 

Do you work on one book at a time or multiples? Does the idea for the next book occur in the midst of the current work, or not until after The End? 

If it’s a trilogy I try to work on all three books at once, obviously focusing on the first part but keeping in mind how the rest of the story will unfold. If I’ve completed one novel but feel there’s more to the story, I write the next installments at the same time. I’ve sometimes worked on two unrelated stories simultaneously but they’re usually in separate genres and at different stages of completion. 

You do many school visits in person and virtually. What do you find most interesting and challenging about those? What do you hope the students – and teachers - take away from your presentations? 

Meeting your readers can be one of the most enjoyable elements of a school visit. Younger students especially are almost always thrilled to meet a published author, especially if they’ve read your books. School and library visits offer an invaluable opportunity to connect with readers on a personal level and in some cases you can make a real difference in children's lives, stimulating their imagination or simply getting them more interested in books and reading. For many of the students an author visit can be inspirational, boosting their creativity and encouraging them in their own writing.

Teachers like to have authors visit the school and share their experiences with the students. They always appreciate any valuable insight into the generation of ideas, the writing process, and the importance of editing and revision. Most of my books can be used as classroom resources and as the basis for workshops and creative writing exercises. Many of these are featured in my book Where Do Ideas Come From. 

Awards: you’ve seen a few. Your books have been finalists for
noteworthy awards in several provinces, starting with The Alchemist’s Portrait for the 2004 Golden Eagle Book Award and as recently as the 2016 Alberta Book Publishing Awards Book of the Year for Children and Young Adults. In addition, you’ve served on literary juries both provincially and nationally, including for the Governor General’s Award. Talk to me about what awards and shortlistings mean for an author. Is it all about the win or…? 

It’s always nice to be nominated for or win an award. The impact this has varies depending on the type of prize or award. Some will make a significant difference in terms of sales, others not so much. The higher profile awards such as the Governor General’s Award obviously make a big difference for the winner, but those on the shortlist might also benefit from the increased visibility for their work.

All authors today have to conduct their own marketing and promotion and even a nomination for an award can be used to raise your profile on social media, generate interest in the nominated book or your other work, get you noticed by the local media, attract interest from organizations or individuals regarding workshops, presentations, or services that you provide for writers, and so on.

However, it’s always wonderful to have your work recognized, either by your peers, people in the publishing industry, teachers or librarians, and of course readers. Some of the awards, such as the Silver Birch Award and the Golden Eagle Award, are selected by school students. If you’re writing for children and young adults you know that you’re doing something right if your readers really liked the book. 

Your latest book, Future Imperfect, came out earlier this year. What’s that book about? 

Future Imperfect is an exciting adventure featuring technology, teenage geniuses, corporate espionage, and mysterious messages. Most kids these days are very familiar with laptops, tablets, and video games, and don’t go anywhere without their cell phones, so the technology and gadgets that feature in the story make the novel very appealing for young readers. It's also a very compelling adventure story, with lots of cliffhangers, twists, and turns.

In the novel we're introduced to Andrew Mitchell, who was one of the leading experts in highly advanced technology in Silicon Valley, until he vanished following a car accident, which also injured his son, Alex. When a mysterious app later appears on Alex's phone, he and his friend Stephanie embark on a terrifying journey involving secret technology, corporate espionage, kidnapping, and murder in a desperate bid to save the future from the sinister Veronica Castlewood. 

What’s next for you? 

My paranormal novel, Flashback, was published in 2015 and two sequels are coming out next year, one in the spring and the other in August. I also hope to start work on two sequels to Future Imperfect. The novel has proved quite popular so far so I want to explore the possibilities of further adventures for Alex, Stephanie, and the other characters that appear in the novel.

I completed a science fiction trilogy about a parallel universe earlier this year that will be published soon. I've had the concept for quite a while, but it's one of those stories that continually improved as it was being written. I'm currently working on a historical fiction adventure set in seventeenth century England. I'm also considering at least two potential sequels to my fantasy novel, The Sphere of Septimus, which was published in 2014.

In addition, I'm continuing to work with other writers in all genres, not just those writing for children and young adults, as an editor and writing coach. 


Simon is a very busy fellow. You can visit his website at www.simon-rose.com or subscribe to his newsletter, which goes out once a month and has details of his current projects and upcoming events.



Social Media links










Wednesday, September 21, 2016

Busy at BPAA





Friday, September 16, 2016 was the Book Publishers Association of Alberta Awards Gala at the Hotel Arts in Calgary. 

These awards have been in existence since 1989, with slight fluctuations in the number and focus of categories over the years. They used to be presented along with the Writers Guild of Alberta awards each spring, but now are attached to the book publishers' fall conference.


Although the gala is mainly for publishers, Tyche Books invited me along as my Steampunk Adventure, Maddie Hatter and the Deadly Diamond, was a finalist for the Children's/YA Award. 

Tyche had another finalist in the same category: Simon Rose's Flashback.


Will Ferguson, the keynote speaker, was entertaining as always. I first ran across him many years ago at the Saskatchewan Festival of Words in Moose Jaw, and hearing him talk about his in-spa interview with Sheila Rogers was enough to make me choke on my raspberry sorbet.

But of course everyone was there for the awards.  Publishers submit works which the juries have about two months to evaluate, coming up with shortlists and winners. Here, books are judged on more than the writing within. You'll see categories below including book design and cover design, as well as illustration, and categories are broken out by kind of publisher as well as genre of book.


Here, in pictures, is the rundown of finalists with the winners checked off.


 Of special note is the number of votes for the Alberta Readers' Choice Award, up 30% over last year.
 







Congratulations to all the winners and finalists!

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Sunday, July 10, 2016

Another Day, Another Award Shortlisting!

What a summer it has been so far! 

First Maddie Hatter and the Deadly Diamond made the Prix Aurora ballot. Then When the Flood Falls arrived on the Dundurn Unhanged Arthur Award shortlist, and, 5 weeks later, WON it. 

If that wasn't enough excitement in my fledgling career in long-form fiction, now Maddie Hatter and the Deadly Diamond is on the shortlist for the Alberta Book Publishing Awards. 

 
For more on the Alberta Book Publishing Awards, click HERE. 


Maddie's up against 3 other authors' 2015 releases, including one from Tyche Books:  

Simon Rose's Flashback.

Well done, Simon, and best of good fortune to all four of us when the awards banquet rolls around in September.

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