Showing posts with label Kevin Cockle. Show all posts
Showing posts with label Kevin Cockle. Show all posts

Saturday, October 29, 2016

Tyche Books Halloween Triple Launch

On October 27th, Tyche Books held a combined Halloween and launch party at Owls Nest Books, featuring three of its authors who have appeared on this blog in the past week: Eileen Bell, Kevin Cockle, and Axel Howerton. 

Here are are some quick shots of the doings, courtesy of Kevin Jepson.

THE JOKER wasn't laughing during Axel Howerton's reading

Owls Nest Events Coordinator Sarah was busy as a bee all night.

Me practicing my ferocious glare

Voodoo priest guards Princess Leia from Han Solo, who is babysitting Chewie's youngest but on Endor. I'm not sure whose side the gypsy was on, or the witch.
All the crazies in costume. Thanks, Tyche Books and Owls Nest Books, for a great evening, and good luck to the three featured authors: Axel Howerton, Kevin Cockle, and Eileen Bell.

Thursday, October 27, 2016

New Release Nugget: Kevin Cockle's SPAWNING GROUND

A New Release Nugget is a short piece about one new thing an author learned during the process of writing their new book, something they hope will encourage and inspire other writers as they navigate the swirling currents of creation and publication.

Today's new release is a debut novel, Spawning Ground by Kevin Cockle. He's got seventeen short stories out there, a screenplay, and an Aurora nomination. Spawning Ground is his first novel, and here's one thing he learned during the writing:


“Spawning Ground” being my first novel, the list of things I learned in the process of writing it is pretty long.  That I could write long-form narrative at all.  That you need to trust your writing: can’t be second-guessing every sentence and word choice if you’re going to finish.  But technically, if there’s one tangible step I took that I’d do again - and that might be of use to others - it’s the fact that I wrote SG as a screenplay first.

Movies are external and visual - novels are about the interior lives of characters - but still: a screenplay is basically a structured outline.  “Spawning Ground” started out as a short story (very interior; no act structure) which I wound up optioning to a local film company.  Adapting a short story for a feature film was a really useful exercise in terms of structure and narrative, which was important, since I was trying to create a compact genre thriller.  Characters and neat speculative ideas weren’t going to be enough: the thing had to have momentum; readers needed to have reasons to turn pages.  Plus it’s a lot easier to tweak and re-write a screenplay than it is a novel.  The logistics just made sense.

Having the screenplay in front of me made the writing of the novel a matter of disciplined execution.  No staring at a blank page and trying to think of something: the actual creative work had all been done.  I knew where I was going, which made getting there a lot easier.  The whole process made me more professional in approach than I otherwise would have been.  And it worked, which is the main thing.


About Spawning Ground: 

Genetic perfection has a price: a brutal Darwinian contest of strength and cunning to determine which bloodlines will continue, and dominate.

When Sarah Wheeler’s Spawning Contest is rigged, her breeding and training will be put to the ultimate test.


 Find out more about Kevin